My earlier post “Shooting Concerts with Nikon D300” talks about how nice it is to shoot in a small venue where one doesn’t have to deal with the three song rule BS imposed on photographers. But have you ever wondered where this may have originiated? 

Nicole Radja interviews Chicago music photographer Paul Natkin on her blog and he gives a bit of clarity on how this came about. 

“ It started in the ’80’s with bands in New York, especially Springsteen. When a band played in New York, especially places like the Garden, they gave out tons of photo passes. At least half to paparazzi guys. Those people don’t know how to photograph, their only option is to put a flash on a camera. Alot of people didn’t even know how to change film, they knew they only had 36 shots. They were just doing it for the excitement of doing it. Bruce would go up on stage, and there would be 50 photographers, all shooting flashes in his face. I don’t blame him, he walked off stage one night and said, we have to do something about this. Somebody said, why not just let them shoot the first fifteen minutes? Somebody figured out at a normal rock show, a song is about five minutes. Somebody said, let’s just let them shoot the first three songs. So it started with him and people in that era. It was also that MTV started around that time, and everybody wanted to look perfect, the way they looked in their videos.”

I’ll be at the Hot Rocks Music Awards in Seattle this weekend and get some thoughts from musicians on this policy. 

Kudos to Aphotoeditor.com for originally finding this link.